Veronica Mak, soprano

Veronica Mak, sopranoVeronica Mak, sopranoVeronica Mak, soprano
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Veronica Mak, soprano

Veronica Mak, sopranoVeronica Mak, sopranoVeronica Mak, soprano
Home
About
Schedule
Media
  • Gallery
  • Video
Contact
More
  • Home
  • About
  • Schedule
  • Media
    • Gallery
    • Video
  • Contact
  • Home
  • About
  • Schedule
  • Media
    • Gallery
    • Video
  • Contact
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"As Gilda, Veronica Mak had commendable moments – her performance of ‘Caro nome’ was well sung, and she appeared to inhabit the character believably."

— Opera Wire

Chinese-American Soprano Veronica Mak, based in New York City, is equally passionate and fulfilled in the fields of operatic, choral, and contemporary repertoire.

Veronica Mak is a Chinese-American soprano based in New York City, equally at home in operatic, choral, and contemporary repertoire. Her artistry is marked by versatility, emotional nuance, and a deep commitment to expressive storytelling.


She began her 2025/2026 season producing a recital series with pianist Shaobai Yuan called In Bloom and In Twilight.  She also made her choral debut with Ghostlight Chorus last November for their program, Blessed. Veronica was recently featured in Amore Opera's production of The Magic Flute as Pamina, where she made her role and company debut. Later this season, she will return to Regina Opera for their productions of Suor Angelica as Suor Genovieffa and Carmen as Frasquita. Additional performances this season include Mozart Requiem with Ghostlight Chorus, Chorus Fellow with Spoleto Festival, and a joint recital with soprano, Melanie Spector, as part of Delaware Valley Opera's 40th Anniversary Season.  


Ms. Mak's additional previous operatic roles include Laetitia from The Old Maid and the Thief, Monica from the Medium, Lauretta from Gianni Schicchi, Bastienne from Bastien und Bastienne, Pyg from Knightly News!, the title role of L’enfant et les sortilèges, and Nancy from Albert Herring. Veronica was recognized from her performance of Rigoletto as Gilda with Regina Opera, having "appeared to inhabit the character believably" (Opera Wire). 

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"In “Knightly News,” (music by Jonathan Stinson and lyrics by Stinson and Sarah Rogevich), each performer had moments to truly shine. Mak was downright hilarious."

— River Reporter

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